Continuing with my experiment of spraying Color Bloom mica sprays on black, I took a different stencil, cut a large tag in half and sprayed with three colors on the first half.
This left a lot of ink on the stencil of course, so I turned the stencil upside down and laid it onto the other (clean) half of my tag. Then pressed firmly with a piece of paper towel to immediately catch all of the ink leaking through, and lifted the stencil.
Top: monoprinting; Bottom: regular stencilling
The effects were different when I tried a different stencil! With the first, the stencilled half was clear, and the monoprinted half more murky. With the second, it was the other way around! I think the type of pattern had something to do with it; the second was more intricate than the first.
Top: monoprinting; Bottom: regular stencilling
These are still only backgrounds of course, we’ll find out what use I’ll find for them in some future moment. 🙂
The difference between a mask and a stencil is, in my own words, that one is the ‘negative’ of the other. What is blocked by one, is open in the other. Both have their merits and advantages of course, and since I had never tried a mask before, I was curious about its effects.
I only have one large masking stencil in my possession at the moment, and it is one by Studiolight. It is large enough for an A4 (or US Letter) size, which also makes it perfect for the giant #12 craft tags by Ranger.
My craft tags were black, and I already knew from an earlier experiment that the Distress Oxide colors by Tim Holtz were not my preferred sprays when used on black. They show up quite clearly, but they seem to loose much of their actual colors and everything turns a very pale pastel.
So, I dove into my stash to see what else I might use, and rediscovered my Color Bloom sprays by Prima Marketing. These are inks with mica-based dye, so they not only show up on black, but add some nice shimmer as well. And although there was some loss of color here as well, it didn’t bother me as much, thanks to the nice metal sparkle the mica brings.
For my masked tag I chose the most industrial colors I could find in my stash; which weren’t many for I only have about 7 or 8 sprays. So I chose three shades of purple and one bronze. The effect was stunning, better than I had thought! And on a black substrate an industrial-themed mask is of course perfect, since its pattern will show up in black.
The most important disadvantage to the Color Bloom sprays is their price – as far as I have seen these are the most expensive on the (craft) market. A second, minor issue I have with them is their enormous nozzle, which makes them ridiculously difficult to store in any kind of efficient way. They just take up too much room. However, this is only a small point, I would definitely buy some more – except they’re not being produced anymore! I don’t know why but Prima Marketing seems to have quit this product line; perhaps they didn’t sell as well as they hoped.
However, I’ll definitely keep using the Color Blooms I already have, every time I want to spray something onto a black base!
In fact, I’ll show you another Color Bloom experiment next time, when I try my hand at some monoprinting! 🙂
My Lucky Dog mini album is a wire-bound mini album with a page size that perfectly fits your 8×8″ paperpads. Since it has been a while since I created it, I thought about a way to revisit it – without being too repetitive. So, I thought of some fresh new page designs for this album, keeping its basic design the same – but making it slightly different at the same time.
Sneak preview: among other things, I did some acetate pockets this time! 🙂
And since it’s the same album, I’m also offering you all of these new page designs as a free add-on with the original tutorial(so everyone who purchased this in the past: congratulations, you now own a free bonus tutorial! 🙂 )
I used one of Graphic 45‘s more recent collections: Fruit and Flora. I just love that color palette and the overall theme, which reminds me of a lush summer garden.
Watercoloring is a great way if, like me, you’re not a particularly good colorist, mainly because it’s a relatively forgiving technique. Water will help you blend out colors and sharp lines, at least a bit. Of course there is much to learn here, but even as a beginner I felt confident enough about my first water colored cards to actually send them out to people.
In the second half of the video I’m showing you some technique, when I’m coloring one of the envelopes. I used several colors of Distress Ink (minis) and Distress Markers. It was simply what I had, hence the combination of inks and markers. Since these Distress products are all water-based and really work well together, it’s great to combine them and create the color palette that you’re looking for.
Watercoloring is a great technique if you’re out on the road: contrary to scrapbooking, it takes very little to take with you what you need, and to have some relaxing moments while you’re not at home. Just do the stamping at home, and color them on the road. So while this will probably not become my main hobby, it will definitely stay in my papercraft repertoire!
In one of my previous blog posts I showed you some backgrounds with Ranger’s Texture Paste, which dries white and matte, and is porous like paper. Ranger also has a Transparent Texture Paste, which has some significantly different properties.
By the way, both of these pastes have now been rebranded as a Tim Holtz Distress Texture Paste, in case you’d like to go shop for them.
Properties of Transparent Texture Paste (Ranger/Distress)
This paste has a lower viscosity (it’s thinner and not as ‘pasty’ as the regular texture paste) and though it’s semi-opaque when you apply it, it will dry completely clear. Also, it will dry glossy, and is not porous at all. So in fact it will act as a resist, instead of taking color like the regular paste does.
This gives you the opportunity to apply texture but with different techniques, compared to the regular Texture Paste by Ranger.
Technique: Transparent Texture Pasteas a color sealer
I created an Indian summer-themed background with this transparent glossy paste, using the following steps:
Ink up the entire tag with four different colors of Distress Stain – I did use the dabbers this time, instead of spraying the Stains by pouring them into spray bottles;
Place the tag upright and spray generously with water, almost drenching it, to get a heavy flow of color going from top to bottom. Then heat dry.
3. Apply Transparent Texture Paste through a stencil, and let air-dry for a couple of hours (drying time could probably be shorter but I wanted to make sure).
4. Since everything underneath the Transparent Texture Paste was now sealed, I could spray anything over it. So I sprayed it with two of the same colors of my palette, but this time with Distress Oxide Sprays: Oxides always dominate dye inks – except where the dyes have been sealed.
Using a splatter box whenever you spray a color medium prevents a lot of cleaning duty…
5. So I removed the Oxide from the textured leaf pattern with a damp cloth, revealing the leaves in bright dye colors, in the midst of a now more chalky colored background.
Because I used the same color palette in Oxide, the effect was subtle. You can imagine completely different effects if you use more contrasting colors, or even black!
All in all I like the ‘seal-in’ effect this transparent paste brings; however, if you were to apply it to uncolored paper, you’d never be able to color it afterward, since it’s a resist. Something to think about, and especially: play around with!
It’s been a while since I showed you an altered box, so here we are 🙂
This time it’s a wooden pencil box I found in an art supply store, in which you could of course keep all kinds of memorabilia, ephemera, or paper scraps as well.
I altered it with a double-sided sheet from Stamperia’s Rose collection, and I always find it amazing that I often only need 1 sheet to alter an entire box! For other examples I can refer you to my Romantic Drawers box and to my cute little Christmas treasure chest, the latter of which I altered with 1 sheet of only 8×8 inches.
If you’ve never altered a box before and don’t know where to start, I’ve done several free video tutorials. You could start here and here.
Meanwhile, if you need some inspiration first, watch today’s video! 🙂
The two backgrounds I’m sharing today I created with one technique, but with different color schemes, generating a completely different atmosphere.
I added some texture paste through a stencil and let it air-dry for about an hour to make sure it was dry. Then I sprayed with Distress Stains and heat-dried. The next layer consisted of several droplets of Distress Oxide, since I knew Oxide would always dominate dye ink – which I learned from the Tim Holtz demos I watched recently.
What I really like about Ranger’s Texture Paste is that when it’s dry, it reacts to color mediums the same way as paper: it takes color really well, and gives it up when you want to lift it off with a damp paper towel.
I chose a warm autumn palette for the first tag, with Peeled Paint, Twisted Citron and Wild Honey, with some splats of Cracked Pistachio on top.
For the second tag I aimed at a vintage look, using Old Paper, Frayed Burlap, Bundled Sage, and Hickory Smoke, with some drops of Tim Holtz’s latest color Speckled Egg on top. I also sprayed some Brushed Pewter Distress Mica Spray, which is the silver color, over the entire tag once everything else had dried.
The stencils were both by Tim Holtz, one small and one large.
All in all I really liked this technique: it was easy, relatively quick and ideal to create some great looking backgrounds.
So yesterday I kicked off my new blog category, Mixed Media. Many of those will be blog exclusive, so no video. But, you will get clear pictures and descriptions of what I did and which products I used.
These two art backgrounds are Distress Tags by Tim Holtz (for Ranger), a mixed media heavy stock. For the first, I started with one of Tim Holtz’s stencils and gently dabbed some Distress Micro glaze through it in two spots, quite randomly. Micro glaze will work as a resist. So when I sprayed three colors of distress stain (the first three in the picture) over it, the stencil’s dotted pattern showed up white.
By the way, you may notice that there are hardly any actual spray bottles in the picture; that is because my main stash of Stains consists of the earlier Distress Stains, which were dabber bottles. So I removed the dabbers and poured some of the Stain in small empty spray bottles I had bought at the dollar store – turning them into Distress Spray Stains quite easily 🙂
So I went along and I placed a second stencil (the smaller one on the right) and sprayed the blue Distress Stain, some purple and the Distress Oxide spray through it. This gave a subtle floral effect. Micro Glaze will take a bit of color after you heat(-dry) it, which is why several of the dots in the end were colored after all.
For the second tag I used the same technique, but with only one stencil and with slightly different colors.
That concluded round 1, leaving me with two nice base tags. On to round 2 below!
Round 2, resist spray: To prepare for what I’m calling a ‘stencil reverse’ technique, I sprayed both tags with Distress Resist Spray entirely and let them dry.
Round 3, paints: for this ‘stencil reverse’ technique – which I learned by watching one of Tim Holtz’s demos – I covered an area of each tag with Distress Paint. I then placed a stencil over each (wet) area and removed thepaint through the stencil with a damp paper towel – leaving the thin blue lines you see on both tags. With a normal stencil technique these of course would have been masked on your project, but now they are the only lines showing. A great and unexpected technique which may resemble a monoprint but isn’t one!
To add an extra color accent I added some Maya Gold metallic paint in a gorgeous dark purple called Aubergine, using a different stencil for each tag.
I was now ready to declare my two backgrounds finished, but then I noticed a small uncolored spot on the right edge of the left tag, which bugged me to no end. It seemed I had apparently touched the tag there with some Micro Glaze still on my fingers – adding a resist.
So as kind of a PS, I took a Distress Ink pad and blended a whole lot of ink over it so as to force-cover it up. It only partially succeeded of course, because of the resist, but at least the spot didn’t bug me anymore 🙂
Now my backgrounds were truly finished – and ready to be used in some creative way in a future moment!
Sometimes one has to go and broaden one’s horizons. So, I decided to not only watch all of the Tim Holtz demos on his blog, sitting on my couch consuming content (and pork rind chips 🙂 ) but to treat them as an actual course. He has shared many hours of demo videos since the corona lockdown and I treated myself to them all, taking notes in a notebook – I even dug out my fountain pen for that 🙂 . Being locked down at least supplied me with those hours so I decided to take advantage of that…
And so I started to practice and play around with all of the mixed media art supplies I had collected the last couple of years, but simply hadn’t come round to using. And of course I added to said stash with a lot of new stuff too, but hey, we’re not just crafters, we’re also collectors right 😉😎
Anyway, I thought it might be nice to share my first batch of mixed media backgrounds. I mean, I have done some inking & stencilling when creating photo tags for my envelope folios, but not in all of these different ways. This blog post will share the whole batch, and also the card I created from one of those backgrounds. The coming days and weeks I’ll post each individual (set of) background(s) in a separate blog post, with pictures and descriptions on how I created them. And after those, there will be more!
Hope you’ll enjoy this new series of experiments, that will be added to (but not replacing) my other work. Who knows where this will end – there may even be an art journaller hidden somewhere inside me yet…🙃🤨
You can know a design theoretically, but there’s nothing like actually seeing it in your hands, with design paper and decorations! Especially if you make different versions, with different colors, themes, occasions and recipients.
So this week I’m sharing the pretty well-known shutter-card design, done in two different ways: one is masculine, the other feminine.
Enjoy! And if you want a third variation, check out my Christmas version!
Recently my mother asked me to fill the Treasured Memories Mini Album DeLuxe I designed for her when my father passed away, with their wedding pictures from 1968. The black & white pictures truly look amazing in this album!
This album design is very luxurious and offers room for many pictures, large and small. You can play with any possible album theme of course, especially if you have many pictures you want to keep in it. Just choose papers suitable to your taste and the occasion you have in mind.
To give you an example of how this album would look with different papers, check out my Joyful Reminiscing version. There’s also a tutorial available so you can create your own beautiful tome! 🙂
One of my new favorite brands is Mintay Papers, and even though I only bought one sheet of their beautiful red-white-blue Berrylicious collection, I think I managed to squeeze the absolute most out of it! 🙂
I created a multi-pocketed interactive 1-sheet card – Tutorial #9 in my shop – and this time I used cardstock as a base and matted with the double-sided Berrylicious sheet (instead of design paper only/no cardstock).
The color theme of this paper collection makes it ideal to celebrate national holidays – (if those are your national colors) – without having to work with actual flag-themed papers. Like this week, if you’re an American and celebrate the 4th of July. Or when you’re in the Netherlands like me, and celebrate Liberation Day (5th of May).
Mintay Papers, Berrylicious, MT-BER-01
Or you can totally ignore any national theme and simply enjoy the bright, fun colors and homely images and patterns, and send it to your mom for Mother’s Day – which is what I did 😊
Enjoy the video – and if applicable: Happy 4th of July! 🎉
