Tag Archives: distress ink

Perfume Card Series: Easy ways to send someone some fragrant love

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Over the years I have often shared design ideas for cards to send someone an original ‘hug-in-a-mug’, or in other words, how to incorporate a teabag in a creative way.

I’d like to add to that a new series of design ideas, this time centered around perfume and how to send someone an actual vile of perfume. This can be a decant from that awesome niche bottle you own yourself, a small test sprayer you bought online or the official samples that brands hand out and are often added for free to your purchase at your local perfume shop.

Keep those little brand samplers around, they make for great card gifts!

These are small enough to send over the mail, but you will have to find original ways to add them to a card design. Fret not! For that is where this new series comes in.

And here’s my first idea: take a brand’s sample booklet and add it to the front of your card. Choose or create a coordinating background. Keep the booklet closed with a swing tab closure. Stamp a nice sentiment, decorate, and done!

I sprayed my own background in the below example, but you could make this card with design paper too.

I diecut the butterfly with a 2-die set from some papers I inked myself, and added some extra Stickles to highlight.

It’s fast. It’s easy. It adds a lovely little extra ‘something something’ to your card.

Have fun creating!

Making Arthur, a Colorize die-cut project

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In 2020 Tim Holtz started his so-called Colorize series of dies with Sizzix. These Colorize dies are meant for you to add layers of color to your diecut image, each layer being its own color.

It was quite the ingenious system, for each set of die parts comes with its own color code. For example, everything with code “1” should be dark brown, each “2” should be blue etc., helping you as a maker to put together the elaborately layered die-cut image designs.

I think the very first one of these was Arthur, the purple owl.

I have thus far crafted one owl-on-a-branch project, and I gave it my own twist of course: instead of using differently colored pieces of cardstock, I sprayed my own backgrounds on mixed media heavy stock and die-cut my pieces from those.

I actually made this project two years ago, in August 2020, but I just now realized I had never actually shared it on my blog! So, here we go, with a step-by-step semi-tutorial on how I made my card with Arthur, the purple marbled pink owl.

1. Made the building blocks: created enough inked/sprayed/painted backgrounds for the project, in the colors I wanted.

2. Embossed a wood pattern on the bark-colored one.

3. Die-cut the branches – which now also had some nice texture, thanks to the embossing.

4. Die-cut the owl pieces from the other papers, and sorted them according to the Sizzix color-coding. Although I made my own colors, the coding still helped me to know which pieces belonged together.

5. Chose some chipboard sentiment pieces and colored them.

6. Made a card background. It started as an abstract piece but then it became a moonlit landscape of sorts.

7. Following Sizzix’ color-coding, I glued each layer of the owl image to the background. Sizzix also has very clear video tutorial shorts on Youtube for each of their Colorize dies btw. I’ll embed the one for Arthur below these pictures.

8. Glued the piece to a black background, added the chipboard sentiment pieces and applied some liquid pearl along the edges.

Done!

I have to say it was a fun project, and the detail these dies provide by way of the ever-smaller layers is very cleverly designed. Look at those tiny claw pieces!

So yeah, I’ll have me some more of these Colorize dies by Tim Holtz for Sizzix and see what fun they’ll bring!

What about you, have you tried any of the Colorize die sets? Leave a comment and let me know!

Six Easy Card Ideas

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In very busy times like these I don’t find much time to craft, let alone many hours continuously. Nevertheless, a girl still needs her cards to send to her friends & extended family! So, here’s six card ideas, all of which are very easy to make and which take up relatively little of your precious time.

Enjoy the video, and don’t forget to like this post and/or leave a comment! 😃

Time saver! Using your own mixed media backgrounds

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I tend to compartimentalize my mixed media crafting: one day I do my spraying, inking and/or painting, one day I use my stamps, stencils & texture pastes, and lastly I turn it into a card or tag to send out or give away. This not only keeps it fun and practical, it also saves time when you actually need a quick card or tag.

Stash of art backgrounds

In this post I’m sharing several of these follow-up projects, starting with the finished background, followed by the final project. You can find the making of some of these backgrounds in previous blog posts btw, should you be interested.

1. Birthday tag

Just the art background
All dolled-up

2. Textured birthday tag

3. Alcohol ink on gesso birthday card

4. Black background cards

5. Printed close-up photo of above art project, matted on cardstock

6. Marbled Distress Paint on black card

Quick, easy and lovely: String-tied Layered Cards

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It doesn’t always have to take many long hours of work to create a beautiful card. In this week’s tutorial I’m sharing an idea for a quick & easy card design, for which you only need some pieces of paper, a piece of string and some tools.

You can use colored cardstock, design paper or a mixed media background to be the showstopper piece. I created my backgrounds with Distress inks by Tim Holtz.

A nice detail of this design is the piece of string, which you wrap around your card and tie into a bow on the inside of your card.

All in all I think you may actually create this card in under ten minutes – provided you already made your mixed media backgrounds at some time in the past, and have them at the ready (if you’re not opting for design paper or colored cardstock).

If you don’t have a die-cutting machine, you could also stamp a sentiment, or adhere a chipboard piece like in the picture below. In case you don’t own an embossing machine, you can easily skip the embossed layer entirely, also like the card below (shown in more detail in the video).

Enjoy the video tutorial! – which is, like this card design, short & sweet 🙂

Mixed Media Tag with Embossed Gloss Accent

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Did you know that you can use Tim Holtz’s Distress Paint as a resist? To create a mixed media tag, I used this specific technique. I also used clear embossing powder to add a glossy accent – and here are all of the steps to do it!

Step by step

1. STAMP with Distress Paint and/or use a stencil, to add an image or some random patterns. I did both. Use a light color of paint, like white, cream or a very soft pink. Let the paint dry.

Btw, be careful and immediately clean your stamp, for this paint dries quickly and once it dries you won’t be able to get it off your stamp anymore…

2. Color your tag (or any other piece of mixed media cardstock) by blending with different colors of ink. I used both Distress Inks (translucent) and Distress Oxides (opaque). Simply blend right over your patterns – for the paint will act as a resist!

3. Optional: add some extra, subtle background effects by blending through a different stencil.

4. Spray some kind of metal spray to add some sparkle. I used Distress Mica Spray in the color Tarnished Brass.

5. Once everything has properly dried, add a different layer: time for some stamping. Choose one or more images and/or patterns and stamp on top of all the previous layers. First I used a background color of Distress Oxide to add still more interest to the background, this was a script stamp. You can see it on the right side of the tag, on the upper half.

I then stamped the main image in black Archival Ink. This is an oil-based ink, which therefore does not react with or bleed into all of the water-based inks underneath.

6. Pick one or more pieces of your main image that you want to highlight. Cover those fragments with embossing ink – ideally, if you can, use an embossing pen, which gives you maximum control of where you place the embossing ink.

Then take a clear embossing powder and emboss your accent of choice.

Glossy highlight

7. Take some chipboard sentiment pieces and use the same inks to colorize them. Then stick them to your tag.

8. Die-cut a decorative element from metallic paper and add it to the tag. I used Metallic Confections paper by Tim Holtz, but any metallic (or holographic!) paper would do.

Done! Now all that’s left is to tie a piece of string to your tag 🙂

Hope this little step-by-step was helpful! Now go, experiment to your heart’s desire and play with all of the stuff in your stash 🙂 Let me know in the comments if you’re going to try some of the techniques I used here!

If you want still more inspiration, here’s an earlier post where I also used Distress Paint as a resist.

Four Tips for Last-Minute Christmas Cards

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For all of you who are anything like me and are in dire need of some quick, last-minute Christmas cards, I’m sharing four tips to create them!

In my previous post I already shared a step-by-step on how to make the cards in the above picture.

So to summarize: tip 1 is the regular papercraft way of card-making: create designs from cardstock, then mat each seperate part with design paper.

The next two pictures show tip 2: die-cut a sentiment or an image from specialty paper and stick it onto a mixed media background. Then mat on top of cardstock.

With holographic paper
With glitter paper

Here are the materials I used for both of the above backgrounds:

Tip 3: create a mixed media background, but don’t use it as a background. Instead, die-cut something from it and stick it onto some white cardstock. Clean. Simple. Elegant.

Tip 3: Mixed media die-cut on white cardstock

These are the sprays I used for these:

Tip 4 is of course a mixed media die-cut on a mixed media background. Add some glitter accents if you like.

Bonus tip: if you’re not a mixed media kind of crafter, you can use design paper instead! This will give you the same elegant and sophisticated effect, both on white cardstock and on design paper.

Now off you go, hurry up with those last-minute Christmas cards! 🙂

Mixed Media Tag: Using Paint as a Resist

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I already knew you could stamp over a painted or inked background. But what if you want to stamp a light color, like white or cream, and you don’t have opaque inks? You could stamp with paint of course, but what if you want that grungy blended color gradient effect? Stamping with (white) paint over an inked background would only give you clear and harsh boundaries between the stamped image and the background.

Fortunately there is a third way, which I’m sharing today in my blog. I got it from one of Tim Holtz’s demos by the way, so check out his blog if you want to see and hear him demo it.

Step by step

  1. Apply a relatively thin acrylic paint to your stamp, like Distress Paint. Or, use some water to thin your regular acrylic paint. Now, be very quick to stamp it onto an empty background tag, because once the paint dries on your stamp, you won’t get the paint off any longer, for it will dry permanent…
  2. Once the paint is dry, ink up your tag with some water-based inks and make an inked background. I picked the six colors of Ranger’s Distress ink you see in the picture above, and used a blending tool. Simply blend over the stamped parts: the paint will work as a resist for water-based inks, so your stamped image will appear through the ink! This works particularly well with darker colors of ink.

3. Now you can use regular ink, like some Archival ink, in a darker color to stamp other images over your background.

In the top right corner you can see I used cream-colored Distress paint, but this time not on a stamp but through a stencil. This gives the same resist effect when you ink over it with water-based inks. I even used water-based ink through an alphabet stencil over it, and the paint resisted that too.

The Archival ink I used for the large typewriter-script stamp on the other hand is oil-based, so it did cover the Distress Paint. This is a great and easy way to play around with layers of colors and patterns and add some extra dimension.

Alphabet stencil: water-based ink is resisted by the cream-colored paint, so diamond pattern still on top. Script stamp: oil-based ink covers everything, and is NOT resisted by paint, so diamond pattern is covered by the script pattern.

Below is the end result I reached – for now; some day I may add a sentiment or die-cut or some dimensional decorative element, should I decide I’m going to use it as a card and send it out. But for now I’m very pleased with it as is!

Creating a Mixed Media Card

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This week I wanted to show you how to create a mixed media card, using inks, grit paste and embossing glaze. So, I set out and created one on camera – or so I thought… As it turns out, my camera wasn’t recording at all during most of the proces! 🤬

So I started over and did another one, with the camera actually rolling this time.

Step-by-step proces

Card 1 – This is the one I intended to film but didn’t. I painted a background in three shades of purple. Added ink through both stamping and stencilling, then took a second stencil and added a translucent texture paste (in this case Ranger’s Distress Grit Paste). Then I colored the grit paste while it was still wet, by covering it with a transparent embossing powder (in this case Ranger’s Distress Embossing Glaze). When the grit paste had dried, I heat-embossed it to melt the Glaze. Heat-embossing is a great way to color your texture pastes btw. You can check out one of my previous posts to see more of that technique.

Card 2 – same steps but with different colors. (This is the one I actually create in the video.) Some small differences: I used some ink sprays (from Ranger’s Dylusions line) instead of paint to color the background, and I used two colors of Embossing Glaze instead of just one. I also finished it as an actual card, so I added a decorative die-cut and a chipboard sentiment and sent it off as a birthday card 🎉.

Enjoy the process video, hope you’ll find it helpful!

Learning about inks, gesso & micro glaze

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This week I’m sharing something I learned about Ranger’s Distress Micro Glaze, in combination with Distress inks, gesso and Glimmer Mist: they don’t go well together. 🙃

So this was my process: I stamped with Archival ink on a card, but some ink accidentally landed on the lady’s face. I could have started over of course but I always like to try and fix things, for you learn way more this way. So I ended up putting some gesso on her face in an attempt to cover up the spilt ink. Perhaps not my best idea ever, but: “You get what you get and you don’t throw a fit” (quoting Tim Holtz).

That didn’t look too great of course, so I then decided to cover all skin parts in gesso, to get consistent texture at least. I then proceeded to watercolor the image and background with Distress Reinkers and added some embellishments.

So far so good, except I didn’t like the background at all, I felt it needed more interest. I used Distress Micro Glaze to seal the inked image, roughly covered the blings with some kitchen towels and sprayed the card with a Glimmer Mist by Tattered Angels (remember those? I must have had this in my stash for at least 5-6 years…)

The reason I sealed the image was of course to prevent it from being glimmermisted. I only roughly covered the blings because I expected the image to be sealed anyway so I thought it didn’t matter I wasn’t too precise.

However, as it turns out, the Glimmer Mist took hold everwhere I had used the gesso and the image was not covered! Since that was only parts of her skin, she now looked, well, bruised…😱🤭

So I decided to spray the entire image with Glimmer Mist, turning the lady completely purple – in what I’d now like to call an Artsy Way.😎 A less than perfect solution no doubt, but it was the only one I could come up with. Besides: “It’s not a bug, it’s a feature!” (quoting Steve Jobs).

To finish up, I added a die-cut in metallic purple, and I sprayed the back of the card as well – mostly as an afterthought, but I’m glad I did it.

So now we know either one of two things (I’m not sure which at the moment): a. either Micro Glaze does NOT seal Distress Ink on gesso, or b. Distress Micro Glaze only seals surfaces from other Distress products, and not other kinds (like Glimmer mist). More experimentation will be needed to find out which… 🤓

And of course I’m curious: what would have been your solution, either to deal with the spilt Archival ink, or the partly purple, quasi-bruised lady? Let me know in the comment section!

Watercoloring with Distress

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Watercoloring is a great way if, like me, you’re not a particularly good colorist, mainly because it’s a relatively forgiving technique. Water will help you blend out colors and sharp lines, at least a bit. Of course there is much to learn here, but even as a beginner I felt confident enough about my first water colored cards to actually send them out to people.

In the second half of the video I’m showing you some technique, when I’m coloring one of the envelopes. I used several colors of Distress Ink (minis) and Distress Markers. It was simply what I had, hence the combination of inks and markers. Since these Distress products are all water-based and really work well together, it’s great to combine them and create the color palette that you’re looking for.

Watercoloring is a great technique if you’re out on the road: contrary to scrapbooking, it takes very little to take with you what you need, and to have some relaxing moments while you’re not at home. Just do the stamping at home, and color them on the road. So while this will probably not become my main hobby, it will definitely stay in my papercraft repertoire!

Two Tags: Inks, Oxides, Paint & Micro Glaze

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So yesterday I kicked off my new blog category, Mixed Media. Many of those will be blog exclusive, so no video. But, you will get clear pictures and descriptions of what I did and which products I used.

These two art backgrounds are Distress Tags by Tim Holtz (for Ranger), a mixed media heavy stock. For the first, I started with one of Tim Holtz’s stencils and gently dabbed some Distress Micro glaze through it in two spots, quite randomly. Micro glaze will work as a resist. So when I sprayed three colors of distress stain (the first three in the picture) over it, the stencil’s dotted pattern showed up white.

By the way, you may notice that there are hardly any actual spray bottles in the picture; that is because my main stash of Stains consists of the earlier Distress Stains, which were dabber bottles. So I removed the dabbers and poured some of the Stain in small empty spray bottles I had bought at the dollar store – turning them into Distress Spray Stains quite easily 🙂

So I went along and I placed a second stencil (the smaller one on the right) and sprayed the blue Distress Stain, some purple and the Distress Oxide spray through it. This gave a subtle floral effect. Micro Glaze will take a bit of color after you heat(-dry) it, which is why several of the dots in the end were colored after all.

For the second tag I used the same technique, but with only one stencil and with slightly different colors.

That concluded round 1, leaving me with two nice base tags. On to round 2 below!

Round 2, resist spray: To prepare for what I’m calling a ‘stencil reverse’ technique, I sprayed both tags with Distress Resist Spray entirely and let them dry.

Round 3, paints: for this ‘stencil reverse’ technique – which I learned by watching one of Tim Holtz’s demos – I covered an area of each tag with Distress Paint. I then placed a stencil over each (wet) area and removed the paint through the stencil with a damp paper towel – leaving the thin blue lines you see on both tags. With a normal stencil technique these of course would have been masked on your project, but now they are the only lines showing. A great and unexpected technique which may resemble a monoprint but isn’t one!

To add an extra color accent I added some Maya Gold metallic paint in a gorgeous dark purple called Aubergine, using a different stencil for each tag.

I was now ready to declare my two backgrounds finished, but then I noticed a small uncolored spot on the right edge of the left tag, which bugged me to no end. It seemed I had apparently touched the tag there with some Micro Glaze still on my fingers – adding a resist.

So as kind of a PS, I took a Distress Ink pad and blended a whole lot of ink over it so as to force-cover it up. It only partially succeeded of course, because of the resist, but at least the spot didn’t bug me anymore 🙂

Now my backgrounds were truly finished – and ready to be used in some creative way in a future moment!