Recently I bought two of the Sydney Grace x Temptalia eyeshadow palettes, and found the packaging so lovely that I couldn’t bring myself to simply get rid of those wondrous sleeves, never to be seen again.
So, I turned them into a tea gift booklet, that I sent out to my friend. And let me tell you, that re-purposing was far more satisfying than simply throwing them out. 🙂
I didn’t use any design paper this time, just the two sleeves. For the inside and the two tiny booklets, I made my own mixed media background, using Tim Holtz’s spray and oxide inks.
In the below video I’m sharing this tea gift project, and the steps to create it. Enjoy!
The eyeshadow palettes of which I used the packaging: Sydney Grace x Temptalia
Wooden alphabet letters are always great embellishments for gifts. Add the letters of the first and/or last names of your friend, co-worker or loved one to any card or mini album page, and the result will be instant success 🙂
For the front cover of my most recent paper bag mini album I altered such a wooden initial.
I first added two colors of Distress Oxide ink to color its base. I also chose several Distress Crayons to decorate later, after the second step.
Once the letter had a base color, I added a texture paste and let it dry. I chose Distress Grit Paste by Tim Holtz, but you can use any paste as long as you choose one that can be colored (some pastes act as a resist, avoid those for this type of project).
I added the paste in random spots, to give the letter a dimensional texture. Distress Grit Paste is semi-translucent, which is why I colored the letter first.
Then I used the Crayons to color the paste. (Crayons work best to color Distress Grit Paste,)
Lastly, when everything had dried, I added it to the album cover as an embellishment.
So you see how you can add a very personal touch to any of your gift projects without it taking a million steps! 🙂
In my previous video I shared a card with a very large handmade 3D butterfly on the front. Today I’m sharing the steps to create such a decorative element.
First, create a background with any color mediums you like. I used Distress Stains and a Distress Spray Stain by Tim Holtz, in three colors.
Next, enhance the background with some stencil art. I used a Distress Oxide in the same color as one of my sprayed inks, through a mini stencil by Tim Holtz.
Stamp your image onto the background (after it has completely dried) with Archival Ink.
Fussy cut the stamped image.
Don’t forget to color the (still white) back of your butterfly, since we will be folding its wings up! I simply inked it with one color and stencilled over it with another, again using the Distress line.
To add some extra interest I also sprayed the back of the butterfly with some silver, using Distress Mica Spray in Brushed Pewter.
Now your image is ready to be used as a great eyecatcher on your card or art project!
Hope this was useful to you, if so, let me know in the comments!
The two backgrounds I’m sharing today I created with one technique, but with different color schemes, generating a completely different atmosphere.
I added some texture paste through a stencil and let it air-dry for about an hour to make sure it was dry. Then I sprayed with Distress Stains and heat-dried. The next layer consisted of several droplets of Distress Oxide, since I knew Oxide would always dominate dye ink – which I learned from the Tim Holtz demos I watched recently.
What I really like about Ranger’s Texture Paste is that when it’s dry, it reacts to color mediums the same way as paper: it takes color really well, and gives it up when you want to lift it off with a damp paper towel.
I chose a warm autumn palette for the first tag, with Peeled Paint, Twisted Citron and Wild Honey, with some splats of Cracked Pistachio on top.
For the second tag I aimed at a vintage look, using Old Paper, Frayed Burlap, Bundled Sage, and Hickory Smoke, with some drops of Tim Holtz’s latest color Speckled Egg on top. I also sprayed some Brushed Pewter Distress Mica Spray, which is the silver color, over the entire tag once everything else had dried.
The stencils were both by Tim Holtz, one small and one large.
All in all I really liked this technique: it was easy, relatively quick and ideal to create some great looking backgrounds.
So yesterday I kicked off my new blog category, Mixed Media. Many of those will be blog exclusive, so no video. But, you will get clear pictures and descriptions of what I did and which products I used.
These two art backgrounds are Distress Tags by Tim Holtz (for Ranger), a mixed media heavy stock. For the first, I started with one of Tim Holtz’s stencils and gently dabbed some Distress Micro glaze through it in two spots, quite randomly. Micro glaze will work as a resist. So when I sprayed three colors of distress stain (the first three in the picture) over it, the stencil’s dotted pattern showed up white.
By the way, you may notice that there are hardly any actual spray bottles in the picture; that is because my main stash of Stains consists of the earlier Distress Stains, which were dabber bottles. So I removed the dabbers and poured some of the Stain in small empty spray bottles I had bought at the dollar store – turning them into Distress Spray Stains quite easily 🙂
So I went along and I placed a second stencil (the smaller one on the right) and sprayed the blue Distress Stain, some purple and the Distress Oxide spray through it. This gave a subtle floral effect. Micro Glaze will take a bit of color after you heat(-dry) it, which is why several of the dots in the end were colored after all.
For the second tag I used the same technique, but with only one stencil and with slightly different colors.
That concluded round 1, leaving me with two nice base tags. On to round 2 below!
Round 2, resist spray: To prepare for what I’m calling a ‘stencil reverse’ technique, I sprayed both tags with Distress Resist Spray entirely and let them dry.
Round 3, paints: for this ‘stencil reverse’ technique – which I learned by watching one of Tim Holtz’s demos – I covered an area of each tag with Distress Paint. I then placed a stencil over each (wet) area and removed thepaint through the stencil with a damp paper towel – leaving the thin blue lines you see on both tags. With a normal stencil technique these of course would have been masked on your project, but now they are the only lines showing. A great and unexpected technique which may resemble a monoprint but isn’t one!
To add an extra color accent I added some Maya Gold metallic paint in a gorgeous dark purple called Aubergine, using a different stencil for each tag.
I was now ready to declare my two backgrounds finished, but then I noticed a small uncolored spot on the right edge of the left tag, which bugged me to no end. It seemed I had apparently touched the tag there with some Micro Glaze still on my fingers – adding a resist.
So as kind of a PS, I took a Distress Ink pad and blended a whole lot of ink over it so as to force-cover it up. It only partially succeeded of course, because of the resist, but at least the spot didn’t bug me anymore 🙂
Now my backgrounds were truly finished – and ready to be used in some creative way in a future moment!
Sometimes one has to go and broaden one’s horizons. So, I decided to not only watch all of the Tim Holtz demos on his blog, sitting on my couch consuming content (and pork rind chips 🙂 ) but to treat them as an actual course. He has shared many hours of demo videos since the corona lockdown and I treated myself to them all, taking notes in a notebook – I even dug out my fountain pen for that 🙂 . Being locked down at least supplied me with those hours so I decided to take advantage of that…
And so I started to practice and play around with all of the mixed media art supplies I had collected the last couple of years, but simply hadn’t come round to using. And of course I added to said stash with a lot of new stuff too, but hey, we’re not just crafters, we’re also collectors right 😉😎
Anyway, I thought it might be nice to share my first batch of mixed media backgrounds. I mean, I have done some inking & stencilling when creating photo tags for my envelope folios, but not in all of these different ways. This blog post will share the whole batch, and also the card I created from one of those backgrounds. The coming days and weeks I’ll post each individual (set of) background(s) in a separate blog post, with pictures and descriptions on how I created them. And after those, there will be more!
Hope you’ll enjoy this new series of experiments, that will be added to (but not replacing) my other work. Who knows where this will end – there may even be an art journaller hidden somewhere inside me yet…🙃🤨
