Tag Archives: Distress Stain

Making Arthur, a Colorize die-cut project

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In 2020 Tim Holtz started his so-called Colorize series of dies with Sizzix. These Colorize dies are meant for you to add layers of color to your diecut image, each layer being its own color.

It was quite the ingenious system, for each set of die parts comes with its own color code. For example, everything with code “1” should be dark brown, each “2” should be blue etc., helping you as a maker to put together the elaborately layered die-cut image designs.

I think the very first one of these was Arthur, the purple owl.

I have thus far crafted one owl-on-a-branch project, and I gave it my own twist of course: instead of using differently colored pieces of cardstock, I sprayed my own backgrounds on mixed media heavy stock and die-cut my pieces from those.

I actually made this project two years ago, in August 2020, but I just now realized I had never actually shared it on my blog! So, here we go, with a step-by-step semi-tutorial on how I made my card with Arthur, the purple marbled pink owl.

1. Made the building blocks: created enough inked/sprayed/painted backgrounds for the project, in the colors I wanted.

2. Embossed a wood pattern on the bark-colored one.

3. Die-cut the branches – which now also had some nice texture, thanks to the embossing.

4. Die-cut the owl pieces from the other papers, and sorted them according to the Sizzix color-coding. Although I made my own colors, the coding still helped me to know which pieces belonged together.

5. Chose some chipboard sentiment pieces and colored them.

6. Made a card background. It started as an abstract piece but then it became a moonlit landscape of sorts.

7. Following Sizzix’ color-coding, I glued each layer of the owl image to the background. Sizzix also has very clear video tutorial shorts on Youtube for each of their Colorize dies btw. I’ll embed the one for Arthur below these pictures.

8. Glued the piece to a black background, added the chipboard sentiment pieces and applied some liquid pearl along the edges.

Done!

I have to say it was a fun project, and the detail these dies provide by way of the ever-smaller layers is very cleverly designed. Look at those tiny claw pieces!

So yeah, I’ll have me some more of these Colorize dies by Tim Holtz for Sizzix and see what fun they’ll bring!

What about you, have you tried any of the Colorize die sets? Leave a comment and let me know!

Stamping and Spraying on Coated Paper in Five Easy Steps

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Sometimes, when I order some of my card designs printed, the printing company adds one or two blanks. These are sturdy, completely white cards; they are also coated, for it is a form of photo paper. So it won’t react to mixed media like your usual assortment of craft papers.

I have created a card with such a blank before, using it as an easy base for design paper. You can check out my step-by-step video on that here.

This time however I decided to try out some mixed media techniques to create a card from one of these coated blank photo paper cards. Here’s what I did, and how it worked out.

1. Stamp and color an image

I chose StazOn ink for this, because that is suited especially for smooth, non-porous surfaces – like photo paper. I also colored the stamped image, using Tim Holtz Distress Markers.

In hindsight, that turned out not to be the best combination, for the StazOn ink reacted a little bit to the Distress Markers. So, my tip here is: IF you want to use water-based markers to color your image, then do NOT use an alcohol-based ink to stamp, but an oil-based ink like Archival Ink.

Stamp an image that speaks to you

2. Seal your image

If you’re going to spray a background, you’ll need to seal your colored image first, otherwise it will either run and wick, or it will be covered up by your sprays (depending on the mediums you choose).

I wanted to use Distress Spray Stains, which are water-based, and since I already used Distress Markers to color the image, I knew exactly how to seal it: with Distress Micro Glaze.

Simply dab your finger lightly in the jar, and rub it all over the colored image.

Side note: of course there are several other products on the market to seal your image. For instance, transparent gesso, or mod podge, to name a few. I’m simply mentioning the one I used. #nonspon

3. Spray your inks

Spray your entire card to your heart’s desire. Then remove all of the sprayed inks from your stamped image with a paper towel. Thanks to the Micro Glaze, none of the sprays will stick and will come off easily, without messing up the colors of your image.

Also, because my paper was coated, it didn’t really absorb the inks too well; there were several spots where the ink didn’t take, causing a great bonus effect!

The materials I used

4. Add special effects

I added some transparent medium to create a bit of a glass effect for the glasses: I used Nuvo Crystal Drops for this, but you could use several alternatives, like Glossy Accents, Paper Glaze or any other dimensional transparent medium.

5. Add a sentiment

Last but not least, I stamped a sentiment – this time with Archival Ink (having learned my lesson from step 1).

Alternatively, you could also go dimensional and use wooden or chipboard sentiment pieces.

And done!

Have you ever crafted with coated paper like this? Feel free to ask any questions, or to let me know what you think, below in the comment section!

Coloring with embossing glaze

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This week I’m sharing a nice way to color your texture paste with Distress Embossing Glaze – or frankly, any set of colored embossing powders. This technique is demoed by Tim Holtz by the way, on his blog.

First, I created a background with Distress (Spray) Stains and added some splatters with a Distress Oxide spray.

Then I used a stencil to add some texture paste. While the texture paste was still wet, I sprinkled several colors of Distress Embossing Glaze over the tag, and gently tapped underneath to get rid of the excess and at the same time prevent all of the colors mixing together.

The texture paste I used dried opaque white; you’d get even greater effects if you use a translucent paste, together with the Embossing Glaze, because this way your tag would still show some of the background colors through the layer of paste & glaze.

The final step: melt the embossing powders with a heat gun. You now have colored your texture paste!

Using Transparent Texture Paste to Seal Color

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In one of my previous blog posts I showed you some backgrounds with Ranger’s Texture Paste, which dries white and matte, and is porous like paper. Ranger also has a Transparent Texture Paste, which has some significantly different properties.

By the way, both of these pastes have now been rebranded as a Tim Holtz Distress Texture Paste, in case you’d like to go shop for them.

Properties of Transparent Texture Paste (Ranger/Distress)

This paste has a lower viscosity (it’s thinner and not as ‘pasty’ as the regular texture paste) and though it’s semi-opaque when you apply it, it will dry completely clear. Also, it will dry glossy, and is not porous at all. So in fact it will act as a resist, instead of taking color like the regular paste does.

This gives you the opportunity to apply texture but with different techniques, compared to the regular Texture Paste by Ranger.

Technique: Transparent Texture Paste as a color sealer

I created an Indian summer-themed background with this transparent glossy paste, using the following steps:

  1. Ink up the entire tag with four different colors of Distress Stain – I did use the dabbers this time, instead of spraying the Stains by pouring them into spray bottles;
  2. Place the tag upright and spray generously with water, almost drenching it, to get a heavy flow of color going from top to bottom. Then heat dry.

3. Apply Transparent Texture Paste through a stencil, and let air-dry for a couple of hours (drying time could probably be shorter but I wanted to make sure).

4. Since everything underneath the Transparent Texture Paste was now sealed, I could spray anything over it. So I sprayed it with two of the same colors of my palette, but this time with Distress Oxide Sprays: Oxides always dominate dye inks – except where the dyes have been sealed.

Using a splatter box whenever you spray a color medium prevents a lot of cleaning duty…

5. So I removed the Oxide from the textured leaf pattern with a damp cloth, revealing the leaves in bright dye colors, in the midst of a now more chalky colored background.

Because I used the same color palette in Oxide, the effect was subtle. You can imagine completely different effects if you use more contrasting colors, or even black!

All in all I like the ‘seal-in’ effect this transparent paste brings; however, if you were to apply it to uncolored paper, you’d never be able to color it afterward, since it’s a resist. Something to think about, and especially: play around with!

Two Backgrounds: Inks, Oxides & Texture Paste

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The two backgrounds I’m sharing today I created with one technique, but with different color schemes, generating a completely different atmosphere.

I added some texture paste through a stencil and let it air-dry for about an hour to make sure it was dry. Then I sprayed with Distress Stains and heat-dried. The next layer consisted of several droplets of Distress Oxide, since I knew Oxide would always dominate dye ink – which I learned from the Tim Holtz demos I watched recently.

What I really like about Ranger’s Texture Paste is that when it’s dry, it reacts to color mediums the same way as paper: it takes color really well, and gives it up when you want to lift it off with a damp paper towel.

I chose a warm autumn palette for the first tag, with Peeled Paint, Twisted Citron and Wild Honey, with some splats of Cracked Pistachio on top.

For the second tag I aimed at a vintage look, using Old Paper, Frayed Burlap, Bundled Sage, and Hickory Smoke, with some drops of Tim Holtz’s latest color Speckled Egg on top. I also sprayed some Brushed Pewter Distress Mica Spray, which is the silver color, over the entire tag once everything else had dried.

The stencils were both by Tim Holtz, one small and one large.

All in all I really liked this technique: it was easy, relatively quick and ideal to create some great looking backgrounds.