Mixed Media Tag: Using Paint as a Resist

I already knew you could stamp over a painted or inked background. But what if you want to stamp a light color, like white or cream, and you don’t have opaque inks? You could stamp with paint of course, but what if you want that grungy blended color gradient effect? Stamping with (white) paint over an inked background would only give you clear and harsh boundaries between the stamped image and the background.

Fortunately there is a third way, which I’m sharing today in my blog. I got it from one of Tim Holtz’s demos by the way, so check out his blog if you want to see and hear him demo it.

Step by step

  1. Apply a relatively thin acrylic paint to your stamp, like Distress Paint. Or, use some water to thin your regular acrylic paint. Now, be very quick to stamp it onto an empty background tag, because once the paint dries on your stamp, you won’t get the paint off any longer, for it will dry permanent…
  2. Once the paint is dry, ink up your tag with some water-based inks and make an inked background. I picked the six colors of Ranger’s Distress ink you see in the picture above, and used a blending tool. Simply blend over the stamped parts: the paint will work as a resist for water-based inks, so your stamped image will appear through the ink! This works particularly well with darker colors of ink.

3. Now you can use regular ink, like some Archival ink, in a darker color to stamp other images over your background.

In the top right corner you can see I used cream-colored Distress paint, but this time not on a stamp but through a stencil. This gives the same resist effect when you ink over it with water-based inks. I even used water-based ink through an alphabet stencil over it, and the paint resisted that too.

The Archival ink I used for the large typewriter-script stamp on the other hand is oil-based, so it did cover the Distress Paint. This is a great and easy way to play around with layers of colors and patterns and add some extra dimension.

Alphabet stencil: water-based ink is resisted by the cream-colored paint, so diamond pattern still on top. Script stamp: oil-based ink covers everything, and is NOT resisted by paint, so diamond pattern is covered by the script pattern.

Below is the end result I reached – for now; some day I may add a sentiment or die-cut or some dimensional decorative element, should I decide I’m going to use it as a card and send it out. But for now I’m very pleased with it as is!

Grungy Card with Tim Holtz’s Dapper

Grungy card with Tim Holtz's Dapper collection (front)

Hi everyone,

This week I’m sharing my enthusiasm about Tim Holtz’s 2016 Dapper paper pad. As per usual when I really like a paper collection, I leave it in my stash for quite some time before I can bring myself to cut into it; hence the 2.5 year (!) delay between it being offered on the market and me actually creating something with it…

Anyway, I chose to use one of Dapper’s 6×6″ sheets, plus a 3×4″ sheet. They all come in one big double-sided 12×12″ pad – which I find a brilliantly creative invention – a characteristic shared by all Tim Holtz’s paper pads alike.

The double card I created is about 6×6″, and I grunged everything up by actually distressing all of the papers’ edges, using no inks whatsoever, to enhance the effect. Also, I added in some layering and of course embellishments – and there you go, a card with a distinct masculine feel!

Do you like the Dapper collection as much as I do? And which are your favorite masculine papers for creating projects for the men in your circle of family and friends?
Let me know in the comment section below.